Audient ORIA Immersive Audio Interface and Monitor Controller

Advanced Speaker Processing

ORIA�s Advanced Speaker Processing lets you calibrate your room and create custom onboard calibration Profiles (presets) for any monitoring format from stereo to surround to 9.1.6 immersive setups, making reference checking your mix in different formats a breeze.

• Trim: adjust the level of every speaker individually to ensure a balanced soundfield
• Speaker delay: make sure audio from every speaker arrives at the mix position precisely at the same time
• Bass management: accurately hear all of the bass and low-end frequencies in your mix and utilize a per-channel configurable crossover filter
• 8-band EQ: deal with unwanted acoustic issues and coloration to ensure a flat and consistent translation of your audio

SoundID Reference

Audient has teamed up with room calibration heavyweights Sonarworks to bring you a seamless integration with SoundID Reference, letting you accurately measure and calibrate multichannel setups in less than an hour. With a SoundID Reference Microphone and 60-day free trial of SoundID Reference for Multichannel software included, ORIA lets you create custom SoundID Profiles for different monitoring formats and target modes, load them into ORIA, and take advantage of consistently accurate and low-latency immersive audio.

How It Works

Here's a quick rundown of how calibration with SoundID works:

• Measure your speakers: an automated and user friendly guide helps you measure and calibrate your studio speakers using the included microphone
• Choose your Target Mode: choose your calibration Profile and correct for the Dolby Atmos Music curve, flat frequency response, or create custom Profiles
• Export your profile: export up to 32 unique Profiles directly to ORIA's internal memory, watch as your settings are automatically adjusted
• You're now ready to mix: sit back and enjoy a consistent translation of your audio no matter the format in which you are working

Take a Load Off

All of ORIA's Advanced Speaker Processing, whether using manual or SoundID calibrations, runs directly from its lightning fast onboard DSP Dual Processor Architecture. Delivering low-latency audio and freeing up your computer's CPU for bigger and more demanding sessions, the onboard DSP helps you be more productive and experience better performance.

Fast Profile Recall

Use Profiles to quickly switch between speakers, listening levels, and target curves. Imagine instantly switching from your perfectly calibrated stereo nearfield speakers to a 9.1.6 immersive setup with Dolby X-Curve. Now, you can with a touch of a button.

Speaker Control

Fly around your session at high speeds with true immersive monitor control. Featuring color-coded speaker groups, individual and group speaker mute/solo, global volume control, cut and dim, and global delay (lip-sync) for postproduction workflows.

Metering

Keep an eye on your metering from multiple locations including ORIA's front-panel LCD screen, desktop software, or iPad remote. Still need more detail? Expand ORIA's desktop metering via an independent window, unlocking additional visual feedback.

Dolby Atmos Support

ORIA integrates with the Dolby Renderer, letting you take control of the down mix functionality directly from ORIA's user interface. Ideal for quickly checking your mix in different monitoring layouts, such as 7.1, 5.1, stereo, and more.

Go Remote

Never miss a beat with ORIA's iPad Control app. The power of touch grants you remote access to all of ORIA's control features, from one centralized control hub. Adjust levels, audition speakers, switch profiles, and monitor your metering�all directly from your desktop. Precise control without the complexity.

Make that Connection

With a huge array of connectivity options, ORIA provides more than enough I/O to take on professional multichannel setups.

• Two XLR-1/4" combo inputs with balanced mic- and line-level input and unbalanced Hi-Z intstrument input
• Both combo inputs sport high-quality Audient preamps with up to 60 dB of clean gain
• 2 x 16 1/4" line outputs for supporting surround sound speaker setups up to 9.1.6
• Eight pairs of AES digital outputs (up to 16 channels) for interfacing with digital speakers
• Two ADAT optical inputs for use as an external 9.1.6 monitor controller or traditional multichannel recording, up to 16 channels at 48 kHz, and 8 channels at 96 kHz
• Two dedicated 1/4" stereo line outputs (two stereo pairs) for nonimmersive near-field applications
• BNC wordclock input and output connectors for integration into larger installations

USB Powered

Connecting via a high-speed USB-C connection, ORIA offers ultralow latency monitoring and rock solid driver performance for both macOS and Windows.

Optional Dante Card

Providing up to 16 input channels over AoIP, ORIA's optional Dante Card lets you quickly integrate with new or existing AoIP networks, making your move to immersive seamless. Ideal for large studio complexes and educational facilities.

High-Performance Converters

Thanks to a massive 126 dB of dynamic range, your mixes will sound more detailed than ever with ORIA's high performance AD/DA converters. These converters were built to deliver the most honest translation of your audio, help you hear subtle detail, identify problematic issues, and make better mix decisions. Achieve total clarity and take your mixes to the next level.

Audient Console Mic Preamps

Designed to deliver ultralow noise and low distortion with a touch of classic analog warmth, ORIA's two Audient Console Mic Preamps deliver 60 dB of gain and will work as mic, line, or Hi-Z instrument inputs. Give yourself clean, accurate, and true-to-source translation of your audio.

Smart Analog Preamps

For the first time ever, the Audient Console mic preamps are now remote controlled. They have been optimized to give you the sonic benefits of their all-analog design alongside pinpoint accurate digital control.

Ready to Face the World

An 8mm thick faceplate and solid-steel design means ORIA is ready to withstand studio wear and tear. And ORIA's fanless design means it is whisper quiet, ready to sit front and center in your studio.

Audient ORIASpecs

Channels of I/O	Analog: 2 Inputs / 36 Outputs Digital: 16 Inputs / 32 Outputs
Maximum Sampling Rate	96 kHz / 24-Bit
Number of Microphone Inputs	2
Analog Audio I/O	2x Combo XLR-1/4" TS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel) 2x 1/4" TRS Balanced Line/Stereo Output 2x 1/4" TRS Unbalanced Headphone Output 32x 1/4" TRS Balanced Monitor Output
Digital Audio I/O	2x TOSLINK Optical ADAT Input (S/MUX Support) 1x DB-25 AES3 Output
Host Connection	1x USB-C (on Interface)
Power Requirements	AC Input, USB Bus Power

Channels of I/O	Analog: 2 Inputs / 36 Outputs Digital: 16 Inputs / 32 Outputs
Built-In DSP	Yes
Maximum Sampling Rate	96 kHz / 24-Bit
Number of Microphone Inputs	2
Built-In Microphone	No
Input Level Adjustment	1x Knob via Software

Solo/Mute

Solo, Solo-in-Place/AFL, Mute, PFL per Input Channel, Bus

Analog Audio I/O	2x Combo XLR-1/4" TS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel) 2x 1/4" TRS Balanced Line/Stereo Output 2x 1/4" TRS Unbalanced Headphone Output 32x 1/4" TRS Balanced Monitor Output
Phantom Power	48 V
Digital Audio I/O	2x TOSLINK Optical ADAT Input (S/MUX Support) 1x DB-25 AES3 Output
Host Connection	1x USB-C (on Interface)
Host Connection Protocol	USB 2.0
USB (Non-Host)	No
Sync I/O	1x BNC Word Clock Input 1x BNC Word Clock Output
Network I/O	1x RJ45 Dante
MIDI I/O	No
Expansion Slots	No
Wireless	No

Frequency Response	Combo XLR-1/4" Mic, Line, Hi-Z Inputs: 20 Hz to 40 kHz ±0.5 dB 1/4" Line, Monitor Outputs: 10 Hz to 40 kHz ±0.3 dB 1/4" Headphone Outputs: 10 Hz to 40 kHz ±0.25 dB
Maximum Input Level	Combo XLR-1/4" Mic/Line/Hi-Z Inputs: +18 dBu
Maximum Output Level	1/4" Line/Headphone Outputs: +18 dBu
Headphone Output Power	997 mW into 30 Ohms 912 mW into 60 Ohms 123 mW into 600 Ohms
Impedance	Line Outputs: < 100 Ohms (Balanced) 1/4" Headphone Outputs: < 50 Ohms (Unbalanced)
Dynamic Range	Analog/Digital/Line/Speaker Outputs: 126.5 dB 1/4" Headphone Outputs: 124 dB
SNR	Combo XLR-1/4" Mic/Line/Hi-Z Inputs: 100 dB
THD+N	Combo XLR-1/4" Mic/Line Inputs: -96 dB / 0.0015% Combo XLR-1/4" Hi-Z Inputs: 0.16%
EIN	Combo XLR-1/4" Mic Inputs: -129 dB
Input Impedance	Mic: 1.5 Kilohms (Balanced) Line:4.7 Kilohms (Balanced) Hi-Z: 370 Kilohms (Unbalanced)
Crosstalk	Mic Input: <105 dB Line Output: -123 dB Headphone Output: -115 dB
CMRR	-85 dB (Mic Input)

Sample Rates	Up to 96 kHz
Sample Rate Conversion	On ADAT I/O/AES3 Inputs
Bit Depths	24-Bit
Sync Sources	AES3, Word Clock

Media/Memory Card Slot

No

OS Compatibility