Drawmer MX60-Pro Front End One All-In-One Preamp/DI/Gate/EQ/Compressor Unit

Connections

The MX60 may be used in balanced systems at +4 dBu operating levels, using the XLR or balanced TRS jack output connectors or unbalanced at ?10 dBu, using the separate TS jack output. Inputs are provided for balanced low-impedance microphones with switchable 48V phantom power, balanced line at +4 dBu on a TRS jack, or unbalanced line at ?10 dBu via an unbalanced TS jack.

A further instrument input is provided on the front panel for use with sources that require a high-impedance input stage, for example, electric guitars and basses. Included only in this section are 20 dB and Bright switches. An insert point is provided directly after the preamp section, followed by phase reverse and high-pass filter switches. A four-section LED meter registers the output level of the preamp stage.

Preamp Section

For use as a front end, the MX60 may be connected directly to the line input of a tape recorder, hard disk recorder, mixer, or other line-level compatible device. However, by using the line input or the insert return as an input, the MX60 may be used in the insert loop of a mixing console to provide dynamic processing, equalization, or Tubesound processing.

In this latter application, ensure that the insert send and return level on your console matches the MX60 input/output sockets that are being used. When setting the input level, observe the level meter and adjust the Gain control, so that the -10 dB LED lights frequently with the 0 dB LED lighting infrequently on signal peaks. If the Clip LED comes on at all, the gain setting should be reduced.

Program Adaptive Gate

The human voice is structurally complex and has a wide dynamic range, which is why the MX60 includes a high-performance dynamics section comprising a gate, a de-esser, and a compressor section. The gate is designed to be easy to set up and silences signals that drop below a minimum level set by the user. Fast and slow release options are included to accommodate all types of material.

VCA Compressor Section

The high-quality VCA compressor reduces the dynamic range of the signal by reducing the gain of loud signals that exceed a threshold set by the user. Both the attack and release times are program adaptive, leaving the user with only ratio, threshold, and make-up gain to adjust. Though simple to set up, the gate section is based on that of the Drawmer DL241/MX30 and, like the compressor, it is program adaptive, so that the time constants are automatically optimized for the material being processed.

De-Esser

Problems can arise when sibilant (S and T) sounds are over-emphasized by a particular singer as they only occur on specific sounds, making it impossible to address them effectively by using a fixed equalizer setting. In some situations, the sibilant sounds may overload some part of the audio chain resulting in an unpleasant distortion. The solution is to use a de-esser, but the Drawmer approach to de-essing is rather more sophisticated than most and the de-esser in the MX60 works on the same principle as that in the MX50 dedicated de-esser where the de-esser automatically and continuously readjusts its own threshold level.

The MX60 de-esser is almost completely automatic requiring the user only to select a male or female setting and to adjust the amount of de-essing taking place. Only that part of the spectrum containing sibilant sounds is subjected to gain reduction so that the lisping effect of simpler de-essers is avoided.

EQ Section

Equalization is provided after compression, so that tonal changes can be made without affecting the compressor action. The MX60 has a powerful three-band equalizer that features shelving high and low sections in conjunction with a fully parametric midrange section.

Tubesound Section

The Tubesound section is based around low-noise, solid-state circuitry designed to emulate the overdrive characteristics of vacuum tubes. Here the signal is split into three frequency bands and each band is provided with a variable drive control.

Increasing the drive level raises both the level and harmonic content of the relevant band, and at low drive settings it's possible to emulate the characteristics of a tube microphone, to add HF enhancement, or to warm up the lower octaves. Higher settings may be used to create more obvious distortion effects on voices or instruments.

Peak Limiter

At the end of the signal path is a fixed threshold limiter, which comes prior to the output level control (Master Fader). The limiter has a fixed preset threshold of +20 dBu and the Master Fader scales the signal level down to the required level.

A hard limit LED indicates the onset of limiting. The soft limit LED indicates a level 6 dB below the main limiter, where progressive rounding of signal peaks occurs prior to the onset of hard limiting.

General

Inputs / Outputs

Power

Environmental

Physical

Packaging Info