BASSBOSS CCM12-MK3 1200W 2-Way 12" Coaxial Powered Monitor

CMM12-MK3 Overview

The CCM12-MK3 is a Compact Coaxial Monitor with a host of features intended for professional performers, which also functions as an excellent main or fill monitor for venues with limited space.

C: Compact

• Small footprint, small frontal area, and lightweight, the front of the cabinet is 50% smaller than most 12� monitors that have a separate tweeter horn. This takes up less space on stage and anywhere else you might want the power of a 12� 2-way monitor.
• The driver features a Neodymium motor and the class-D amplifier has a lightweight, switch-mode power supply. The cabinet is Birch plywood, which is heavier than plastic, but the strength of the wood allows the cabinet to be made smaller, and sound better.

C: Coaxial

• Absolutely consistent coverage pattern and highly resistant to feedback, this coaxial driver delivers an 80-degree conical coverage pattern that is consistent off-axis. The consistency allows the performer or listener the freedom to move around within the pattern without the character of the sound changing. Conventional 2-way monitors have the tweeter above, to the side, or below the woofer. This results in a different frequency response as you move left to right or forward and back. It�s much more difficult to prevent conventional monitors from feeding back because the response peaks change in frequency as you move through their inconsistent patterns, leaving you chasing feedback every time a mic moves. A coaxial is far more consistent no matter where you move, which is better for performers and audiences alike. Aside from delivering a more consistent and intelligible sound field, perhaps the biggest advantage of the consistency of the symmetrical-pattern coaxial monitor is its relative immunity to feedback.

M: Monitor

• Use in 3 different upward angles plus straight ahead as well as fly-points with brackets for ceiling and wall mounting.
• The first angle is set up for standing performers who like their monitors at their feet. We�re thinking about vocalists, with or without instruments, who need clear monitors when they step up to the mic and appreciate being able to step back out of the monitor coverage when they want to.
• The second angle is for seated performers that need the monitor to be aimed a little lower. Whether playing keyboards, drums or slide-guitar, the monitor should be pointed at your head, not over your head. This lower angle can also be used to cover a larger area farther from the monitors, such as for a choir, background vocalists, or a horn section.
• The third angle is for placement on a subwoofer or a table. Here, we�re thinking about drummers who would want the monitor on a sub, of course, or anyone who works with electronics on a table and wants near-field monitors they can put on their work surface and actually aim them in the right direction.
• There�s one more placement angle for the CCM to be used as a monitor, and that�s straight ahead. The CCM has a pole socket that allows it to be used on a stick above a sub or on a tripod, for DJ monitors or stage side-fills.
• While it�s not strictly a monitor position, the CCM can also be used as a front-fill on the stage edge or on that center-cluster subwoofer array. And, when you need a monitor mounted to the wall or to the ceiling, the CCM has M10 fly-points. The internally reinforced fly-points can also be used to attach the CCM to a wall or ceiling-mounted bracket.

Additional Information

12� woofer

• This 12" woofer features a 3� voice coil and delivers low frequencies.
• A 3� coil, 1.4� throat compression driver firing through the center delivers the highs.
• The cone of the woofer serves as an extension of the machined-aluminum conical horn that comprises the woofer�s pole piece, making it possible to generate very high output from a very small total surface area.
• Both share a common neodymium motor structure and a cast-aluminum basket. The woofer is housed in a sealed Birch enclosure to provide extendable frequency response, consistent phase response, and tight transient response.

MK3: Completely Integrated Processing

• Eight on-board presets allow for a variety of configurations at the touch of a button.
• The on-board presets provide a variety of settings that are optimized for floormonitor duty, including settings that account for the boundary loading at each wedge angle as well as settings to extend LF output with limited SPL and to maximize SPL when used with a subwoofer.
• The proprietary BASSBOSS processing ensures exceptional sound quality thanks to its premium-quality, high-fidelity electronics. Its ultralow noise codecs, 96 kHz sampling rate processor, and high-resolution amplification are some of the finest in the industry.

Powered Loudspeaker

• The amplifier in the CCM features a class-D SMPS with PFC, providing two channels, 900W LF and 300W HF. Yes, this is a bi-amped wedge.
• The sealed enclosure provides the flexibility to choose between low-frequency extension or high-SPL operation from the same compact loudspeaker.
• BASSBOSS loudspeakers are protected for safe, high-power operation. Optimized signal processing, premium quality drivers, power-matched amplification, and comprehensive protections ensure that no matter the demand, they keep their cool, keep their character, and keep on working.

BASSBOSS CCM12 Mk3 Specs

Configuration	Active 2-Way
Enclosure Type	Sealed Loudspeaker
Total Power Capacity	1200 W
HF Driver	1 x 3" / 76.2 mm Horn-Loaded Compression Driver with 1.4" / 35.6 mm Throat
MF Driver	No
LF Driver	1x 12" / 30.5 cm Woofer
Wireless Connectivity	No
Color	Black

Enclosure Type	Sealed Loudspeaker
Total Power Capacity	1200 W
Amplifier Power Rating	LF: 1 x 900 W HF: 300 W
Amplifier Class	Class-D

HF Driver	1 x 3" / 76.2 mm Horn-Loaded Compression Driver with 1.4" / 35.6 mm Throat
MF Driver	No
LF Driver	1x 12" / 30.5 cm Woofer
LF Voice Coil	3" / 7.6 cm
Magnet	LF: Neodymium

Frequency Response	50 Hz to 19 kHz ±3 dB
Maximum SPL	123 dB (Continuous) 126 dB (Peak)
Coverage Angle	80° (Conical)

Audio I/O	1x XLR 3-Pin Female Balanced Line Input 1x XLR 3-Pin Male Balanced Line Thru
Network I/O	2x etherCON (Control/Network) In/Out
USB I/O	No
Wireless Connectivity	No
Bluetooth	No
Mobile App Compatible	No

EQ	No
Parametric EQ	No
Semi-Parametric EQ	No
Filters	No
Dynamic Processing	Limiter
Alignment Delay	No
Phase Adjustment	No
Digital Signal Processing	User Settings, Venue Settings, Voicing Modes (Adjustable via Optional Software)
Maximum Sampling Rate	96 kHz / 24-Bit

AC Input Power	100 to 240 VAC, 50 / 60 Hz
AC Power I/O	1x PowerCON TRUE1 Input (Locking)
Current Consumption	120 VAC: 1.4 A 240 VAC: 0.7 A

Color	Black
Mounting	1 x 1.4" / 35 mm Pole Socket (Bottom)
Handles	No
Environmental Resistance	No
Construction Material	Plywood, Polyurethane, Steel
Dimensions	16.5 x 15.8 x 14" / 41.9 x 40.1 x 35.6 cm
Weight	35 lb / 15.9 kg

Package Weight	39.345 lb
Box Dimensions (LxWxH)	19.7 x 19.6 x 16.2"